Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
Im Buch
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Seite 40
... move through fourteen years of represented time , but they achieve a stable identity only to the extent that they are symbolic- ally conjoined with eternal time , just as Marina becomes a figure of Patience " smiling extremity out of ...
... move through fourteen years of represented time , but they achieve a stable identity only to the extent that they are symbolic- ally conjoined with eternal time , just as Marina becomes a figure of Patience " smiling extremity out of ...
Seite 59
... move beyond appearance and mortal- ity , for there is no central consciousness or awareness that even- tually illumines or resolves the play . We have seen how the play establishes a series of refrains which , in intimating the need for ...
... move beyond appearance and mortal- ity , for there is no central consciousness or awareness that even- tually illumines or resolves the play . We have seen how the play establishes a series of refrains which , in intimating the need for ...
Seite 64
... move beyond tragedy , but refuses to attach that movement to the workings of eternal time . Like the presence of death , the perceptual problem of Cymbeline is stated to the point of excess . The theme of reality and appear- ance ...
... move beyond tragedy , but refuses to attach that movement to the workings of eternal time . Like the presence of death , the perceptual problem of Cymbeline is stated to the point of excess . The theme of reality and appear- ance ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey