Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 37
... movement from death to life , and its version of endurance is not like Kent's final estimate of Lear's death : " The wonder is he hath endured so long , / He but usurp'd his life " ( V.iii.317-18 ) . Rather the endurance of romance ...
... movement from death to life , and its version of endurance is not like Kent's final estimate of Lear's death : " The wonder is he hath endured so long , / He but usurp'd his life " ( V.iii.317-18 ) . Rather the endurance of romance ...
Seite 39
... movement may be seen in the plot structure of Pericles . For example , a case could be made that Acts IV and V fold back on Acts I - III in such a way that the play's ostensible movement forward is as well a movement back to the ancient ...
... movement may be seen in the plot structure of Pericles . For example , a case could be made that Acts IV and V fold back on Acts I - III in such a way that the play's ostensible movement forward is as well a movement back to the ancient ...
Seite 40
... movement forward toward change and progression one expects from realistic drama as it is a folding back- ward to what is stable , eternal , and primarily emblematic and arche- typal . What this backward movement accomplishes , both in ...
... movement forward toward change and progression one expects from realistic drama as it is a folding back- ward to what is stable , eternal , and primarily emblematic and arche- typal . What this backward movement accomplishes , both in ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey