Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 50
... parody , even though the play , as I intend to show , continually exploits the opportunity for parody . In the same way , F. D. Hoeniger pulls up short of the logical conclusion of his observations when he writes , " If Cymbeline is ...
... parody , even though the play , as I intend to show , continually exploits the opportunity for parody . In the same way , F. D. Hoeniger pulls up short of the logical conclusion of his observations when he writes , " If Cymbeline is ...
Seite 61
... parody . It is true that up until V.v Imogen , especially , is the central char- acter in the sense that she travels through the play's three plots . No doubt this is why Marsh argues that Imogen “ is the key figure . Her presence joins ...
... parody . It is true that up until V.v Imogen , especially , is the central char- acter in the sense that she travels through the play's three plots . No doubt this is why Marsh argues that Imogen “ is the key figure . Her presence joins ...
Seite 63
... parody and its vehicle . He is not the heroic figure he thinks himself to be , and is therefore killed by Guiderius ... parody . 13 Like Cloten , she is unable to see through the ' meanest garment , " and neither can Posthumus , as we ...
... parody and its vehicle . He is not the heroic figure he thinks himself to be , and is therefore killed by Guiderius ... parody . 13 Like Cloten , she is unable to see through the ' meanest garment , " and neither can Posthumus , as we ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey