Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 51
... play's steady emphasis on discrepancy . The ideal of absorption is clearly stated when , for example , Imogen declares , " The dream's here still ; even when I wake , it is / Without me , as within me ; not imagined , felt ” ( IV.ii.306 ...
... play's steady emphasis on discrepancy . The ideal of absorption is clearly stated when , for example , Imogen declares , " The dream's here still ; even when I wake , it is / Without me , as within me ; not imagined , felt ” ( IV.ii.306 ...
Seite 95
... play and the audience without , at the same time that he is dissolving his art to affirm the immediacy of the play's experience . The repeated use of " now " joins our sense of vir- tual and real time , for every " now " within the play ...
... play and the audience without , at the same time that he is dissolving his art to affirm the immediacy of the play's experience . The repeated use of " now " joins our sense of vir- tual and real time , for every " now " within the play ...
Seite 96
... play . Similarly , we are reminded several times that the action of the play will take between three and four hours ( III.i ... play's peculiar use of time points in another direction as well - to- ward the unique character of Prospero's ...
... play . Similarly , we are reminded several times that the action of the play will take between three and four hours ( III.i ... play's peculiar use of time points in another direction as well - to- ward the unique character of Prospero's ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey