Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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... represents not so much a chosen death , as a death which formally elicits and circumscribes the tre- mendous potential of human accomplishment . The magnitude of tragedy is defined by the greatest individual achievements , and the ...
... represents not so much a chosen death , as a death which formally elicits and circumscribes the tre- mendous potential of human accomplishment . The magnitude of tragedy is defined by the greatest individual achievements , and the ...
Seite 46
... represented time , we have been observing , as Gower insists at the end of the play , the characters as motions and expressions of eternal time . Gower's concluding speech transforms the audience's sense of the characters as represented ...
... represented time , we have been observing , as Gower insists at the end of the play , the characters as motions and expressions of eternal time . Gower's concluding speech transforms the audience's sense of the characters as represented ...
Seite 114
... represents the ascent of " sense " - Prospero speaks of their " rising senses " ( V.i.66 ) —and by sense is meant ... represent the time of maximum assimilation between what appeared , in the eyes of the court , to be an external tempest ...
... represents the ascent of " sense " - Prospero speaks of their " rising senses " ( V.i.66 ) —and by sense is meant ... represent the time of maximum assimilation between what appeared , in the eyes of the court , to be an external tempest ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey