Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 22
... scenes of Act IV and in the opening scenes of Act V. The famous Cliffs of Dover scene in Act IV.vi represents Edgar's attempt to show how a sense of the miraculous may grow out of the worst of misery . In this scene Edgar tries to ...
... scenes of Act IV and in the opening scenes of Act V. The famous Cliffs of Dover scene in Act IV.vi represents Edgar's attempt to show how a sense of the miraculous may grow out of the worst of misery . In this scene Edgar tries to ...
Seite 77
... scene as the exhaustion of tragedy ( in death ) and the provisional entrance of pastoral comedy ( in the natural ... scene with no evident parallel in Shakespeare's other romances . This scene provides us with the clos- 11 est ...
... scene as the exhaustion of tragedy ( in death ) and the provisional entrance of pastoral comedy ( in the natural ... scene with no evident parallel in Shakespeare's other romances . This scene provides us with the clos- 11 est ...
Seite 100
... scene subjects Ariel , Cal- iban and Ferdinand to a test of their understanding of the storm , and this test has the effect of bringing forward past knowledge into the present . Ariel , the vehicle of Prospero's art , complains about ...
... scene subjects Ariel , Cal- iban and Ferdinand to a test of their understanding of the storm , and this test has the effect of bringing forward past knowledge into the present . Ariel , the vehicle of Prospero's art , complains about ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey