Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
Im Buch
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Seite 40
... seen as an expression of his pref- erences , is not so much the movement forward toward change and progression one expects from realistic drama as it is a folding back- ward to what is stable , eternal , and primarily emblematic and ...
... seen as an expression of his pref- erences , is not so much the movement forward toward change and progression one expects from realistic drama as it is a folding back- ward to what is stable , eternal , and primarily emblematic and ...
Seite 43
... seen in the linguistic design of Act V , which moves from analogy to identity to hierophany to Gower's concluding speech . The speech identifies all the central characters with emblems of the diverse experiences and human guises of eter ...
... seen in the linguistic design of Act V , which moves from analogy to identity to hierophany to Gower's concluding speech . The speech identifies all the central characters with emblems of the diverse experiences and human guises of eter ...
Seite 106
... seen , the whole of Act II is based on antithetical re- sponses . Alonso , Antonio , and Sebastian resist Gonzalo , who func- tions as a surrogate for Prospero's vision ; and Caliban undermines the language of Ferdinand and Miranda ...
... seen , the whole of Act II is based on antithetical re- sponses . Alonso , Antonio , and Sebastian resist Gonzalo , who func- tions as a surrogate for Prospero's vision ; and Caliban undermines the language of Ferdinand and Miranda ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey