Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
Im Buch
Ergebnisse 1-3 von 29
Seite 47
... speech insists on a kind of emblematic or figural consciousness , where characters are seen as symbolic figures of eternal truth . His speech , moreover , suggests that the dominant activity of character in Peri- cles is one of ...
... speech insists on a kind of emblematic or figural consciousness , where characters are seen as symbolic figures of eternal truth . His speech , moreover , suggests that the dominant activity of character in Peri- cles is one of ...
Seite 87
... speech , perhaps because it was speech , above all , that set off the tragedy of Act I ( e.g. , " Tongue - tied , our Queen ? Speak you " ( I.ii.27 ) . Hearing of the reunion of father and daughter , Autolycus tells the First Gentleman ...
... speech , perhaps because it was speech , above all , that set off the tragedy of Act I ( e.g. , " Tongue - tied , our Queen ? Speak you " ( I.ii.27 ) . Hearing of the reunion of father and daughter , Autolycus tells the First Gentleman ...
Seite 114
Structure & Experience in Shakespeare's Romances Robert W. Uphaus. longest continuous speech of the play ( V.i.33-87 ) . As in the elegiac speech following the masque , Prospero dissolves his art , but the meaning of this dissolution is ...
Structure & Experience in Shakespeare's Romances Robert W. Uphaus. longest continuous speech of the play ( V.i.33-87 ) . As in the elegiac speech following the masque , Prospero dissolves his art , but the meaning of this dissolution is ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey