Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 98
... storm that slowly and systematically approaches clear weather . Except for I.i , which is the physical storm , every scene in the first three acts is first marked by a response to the storm as an exter- nal event and then subjected to ...
... storm that slowly and systematically approaches clear weather . Except for I.i , which is the physical storm , every scene in the first three acts is first marked by a response to the storm as an exter- nal event and then subjected to ...
Seite 104
... storm and ship- wreck as an opportunity for new experiences , the remaining charac- ✓ters in Act II respond to the storm by plotting further acts of devas- tation which repeat the tragedy of twelve years past . Antonio , clearly ...
... storm and ship- wreck as an opportunity for new experiences , the remaining charac- ✓ters in Act II respond to the storm by plotting further acts of devas- tation which repeat the tragedy of twelve years past . Antonio , clearly ...
Seite 109
... storm comes from the out- side - it is not an interpretation that the court initiates - neverthe- less , by the end of the scene Alonso , with Ariel's help , has internal- ized an understanding of what the storm means , as we can see in ...
... storm comes from the out- side - it is not an interpretation that the court initiates - neverthe- less , by the end of the scene Alonso , with Ariel's help , has internal- ized an understanding of what the storm means , as we can see in ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey