Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 53
... tion , dispersal , and disorientation . In effect , Shakespeare uses all his dramatic resources to mimic and undermine the conventions of ro- mance . The various plots of the play , for example , all grow out of the os- tensible ...
... tion , dispersal , and disorientation . In effect , Shakespeare uses all his dramatic resources to mimic and undermine the conventions of ro- mance . The various plots of the play , for example , all grow out of the os- tensible ...
Seite 73
... tion - they discharge diseases , another version of issue . Camillo says of Mamillius : “ It is a gallant child ; one that , indeed , physics the subject , makes old hearts fresh " ( I.i.38-39 ) ; and Polixenes later comments about ...
... tion - they discharge diseases , another version of issue . Camillo says of Mamillius : “ It is a gallant child ; one that , indeed , physics the subject , makes old hearts fresh " ( I.i.38-39 ) ; and Polixenes later comments about ...
Seite 95
... tion and fact , the imaginary and the real ; and this process of dissolu- tion is evident in the play's recurrent use of the word now . When Prospero tells Miranda that " thou must now know far- ther ” ( I.ii.33 ) , that " The hour's ...
... tion and fact , the imaginary and the real ; and this process of dissolu- tion is evident in the play's recurrent use of the word now . When Prospero tells Miranda that " thou must now know far- ther ” ( I.ii.33 ) , that " The hour's ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey