Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 1
... tragedy . " Customarily tragedy has been regarded as the be - all and end - all of human and dramatic experience . Whether one argues that tragedy deals with " boundary situations , ' man at the limits of his sover- eignty , " or that ...
... tragedy . " Customarily tragedy has been regarded as the be - all and end - all of human and dramatic experience . Whether one argues that tragedy deals with " boundary situations , ' man at the limits of his sover- eignty , " or that ...
Seite 5
... tragedy . Rather they are tragedies that either inti- mate or dramatize versions of " worlds elsewhere , " to borrow from Coriolanus , and , further , these " worlds elsewhere " subsequently be- come the experiential realm beyond tragedy ...
... tragedy . Rather they are tragedies that either inti- mate or dramatize versions of " worlds elsewhere , " to borrow from Coriolanus , and , further , these " worlds elsewhere " subsequently be- come the experiential realm beyond tragedy ...
Seite 22
... tragedy , these actions occur within the framework of a tragedy ; and this tension between tragedy and ro- mance is visibly displayed in the last two scenes of Act IV and in the opening scenes of Act V. The famous Cliffs of Dover scene ...
... tragedy , these actions occur within the framework of a tragedy ; and this tension between tragedy and ro- mance is visibly displayed in the last two scenes of Act IV and in the opening scenes of Act V. The famous Cliffs of Dover scene ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey