Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 16
... tragic in a number of respects . For one thing , the titles themselves have a tragic legacy . As Thane of Glamis Macbeth lived in what he calls " blessed time " ( III.iii.92 ) , a period of time exempt from tragedy , but as Thane of ...
... tragic in a number of respects . For one thing , the titles themselves have a tragic legacy . As Thane of Glamis Macbeth lived in what he calls " blessed time " ( III.iii.92 ) , a period of time exempt from tragedy , but as Thane of ...
Seite 17
... tragic answer to the " seeds of time " and demonstrates that Macbeth is not only the pro- tagonist of a tragic play but a working definition of tragedy in ac- tion . Having tried to possess " all " by destroying “ all , ” he defines his ...
... tragic answer to the " seeds of time " and demonstrates that Macbeth is not only the pro- tagonist of a tragic play but a working definition of tragedy in ac- tion . Having tried to possess " all " by destroying “ all , ” he defines his ...
Seite 28
... tragic expecta- tions , the other just as fully denying those expectations . Hearing of Antony's death , Caesar tragically exclaims : The breaking of so great a thing should make A greater crack . The round world Should have shook lions ...
... tragic expecta- tions , the other just as fully denying those expectations . Hearing of Antony's death , Caesar tragically exclaims : The breaking of so great a thing should make A greater crack . The round world Should have shook lions ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey