Shakespeare and the Ends of ComedyIndiana University Press, 1991 - 158 Seiten "This is a congenial, lucidly written work, the product of careful thought and attention to performance." --Shakespeare Bulletin "... Jensen has done a service by reminding readers of the variety and richness of the comedy and comic devices in Shakespeare's plays." --Choice "The ear that Jensen brings to the plays themselves results in close readings that are always insightful and stimulate new questions." --English Language Notes "Here is a genuinely readable and enjoyable book... humane, balanced, unpolemical, good humored, and fundamentally sane." --Charles R. Forker "... Jensen has produced a sensitive and eminently readable book that will no doubt figure prominently in future attempts to understand Shakespeare's comic practice." --Shakespeare Yearbook Jensen questions a persistent critical emphasis that finds the meanings of Shakespeare's comedies in their endings. Analyzing The Merchant of Venice, Much Ado about Nothing, As You Like It, Twelfth Night, and Measure for Measure, he shows how much vitality is sacrificed when critics assume that "the end crowns the work." |
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... question that requires resolution . The possi- ble homoerotic attraction between the two men ( or of one to the other ) has been a significant part of the play's stage history . What- ever the nature of the bond between them , Antonio's ...
... question of whether and places it entirely on the question of how . Two aspects of his management of Sebastian's return suggest this emphasis . The first is the playwright's use of Antonio ; the second , a pre - enactment of union for ...
... question of nature of man , 127-28 Stage : play as succession of dramatic moments and consequences of em- phasis on closure , 19. See also Play ; Theatre Stereotypes : ethnocentrism and racism in The Merchant of Venice , 33 Stoll , E. E ...
Inhalt
The Aggrandizement of Closure | 1 |
The Comic Pleasures | 22 |
three | 34 |
Urheberrecht | |
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