EssaysColumbia University Press, 1957 - 156 Seiten Papers and addresses presented at the meetings of the Institute. |
Inhalt
THE COMPOSERS APPROACH | 3 |
POETRY AND MUSICJOYCES ULYSSES | 16 |
MUSICA MUNDANA AND TWELFTH NIGHT | 55 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accent aesthetic interest aesthetic structure alliteration analogy aspect assonance ballad Bloom Boethius Callino century clusters College complex consonantal consonants context contrast criticism Croppy Boy Dedalus Don Giovanni Dublin effect elements English example Faerie Queene Finnegans Wake grolle Hamlet harmony hear Hunter College important instrument Irish Joyce Joyce's kind language line endings linguistic literary literature logical Malone Malvolio melos metaphor metrical Milton modern monosyllables Mozart musica humana musica mundana musica speculativa musical poetry nature NORTHROP FRYE opera Paradise Lost passages pattern phonetic phrase play poem poetic practical music principle prose prosody quantitative reference relation Renaissance repetition rhetorical rhyme rhythm scene semantic sense Shakespeare singing social solemn song sound and meaning sound-patterns speech Spenser spheres stanza Stephen Dedalus stressed syllables struc structure of sound symbolic thing tion tone tradition tune Twelfth Night Ulysses verse voice vowels wandering melodies words Yale University Yeats