EssaysColumbia University Press, 1957 - 156 Seiten Papers and addresses presented at the meetings of the Institute. |
Inhalt
THE COMPOSERS APPROACH | 3 |
POETRY AND MUSICJOYCES ULYSSES | 16 |
MUSICA MUNDANA AND TWELFTH NIGHT | 55 |
Urheberrecht | |
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accent achieved actual aesthetic alliteration analysis appear aspect become beginning Bloom Book called century character close College combination complex composer concerned consonants continuous contrast course criticism direct distinction Don Giovanni Dublin effect elements Elizabethan English example fact final gives hand harmony hear important influence interest involved Irish John Joyce Joyce's kind language later least less light linguistic literary literature logical look meaning melody metrical Milton mind nature occur organization passages pattern perhaps phonetic play poem poet poetic poetry possible practical present principle produced reference relation repetition respect rhetorical rhyme rhythm scene seems semantic sense Shakespeare simply singing social song sound speak speech Spenser stanza stress structure suggest syllables thing thought tion tradition tune Ulysses University unmusical verse voice vowels whole