A New Variorum Edition of Shakespeare: Much adoe about nothing. 1899J.B. Lippincott & Company, 1899 |
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Seite ix
... editors , I think without exception , since the days of MALONE , that the entry in the Stationers ' Registers of August the fourth belongs to the year 1600 , because the entry immediately preceding bears that date , and the clerk ...
... editors , I think without exception , since the days of MALONE , that the entry in the Stationers ' Registers of August the fourth belongs to the year 1600 , because the entry immediately preceding bears that date , and the clerk ...
Seite xii
... Editors have hitherto attributed either to the hearing of the text delivered by actors , in public , on the stage , or to the mental ear of the compositor while carrying a sentence in his memory . The voice believed to be that of the ...
... Editors have hitherto attributed either to the hearing of the text delivered by actors , in public , on the stage , or to the mental ear of the compositor while carrying a sentence in his memory . The voice believed to be that of the ...
Seite xiii
... editors that an early limit has been found in the fact that MERES , in 1598 , does not mention this play , by name , among the other plays of SHAKESPEARE which he enumerates . MERES nowhere professes to give complete lists of all the ...
... editors that an early limit has been found in the fact that MERES , in 1598 , does not mention this play , by name , among the other plays of SHAKESPEARE which he enumerates . MERES nowhere professes to give complete lists of all the ...
Seite xv
... editors believe that All's Well that Ends Well is the missing Comedy . HUNTER thought that he had found it in The Tempest ; and CRAIK and HERTZBERG urge the claims of The Taming of the Shrew . But it is all guess - work , from which the ...
... editors believe that All's Well that Ends Well is the missing Comedy . HUNTER thought that he had found it in The Tempest ; and CRAIK and HERTZBERG urge the claims of The Taming of the Shrew . But it is all guess - work , from which the ...
Seite xviii
... editors and critics in this regard is broken . Mr FLEAY puts the date at 1597-98 , and he would have , probably , put it much earlier were it not that he draws a distinction between the original play and the play as we have it . The ...
... editors and critics in this regard is broken . Mr FLEAY puts the date at 1597-98 , and he would have , probably , put it much earlier were it not that he draws a distinction between the original play and the play as we have it . The ...
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Häufige Begriffe und Wortgruppen
ABBOTT Adam Bell Ariodant Ariodante BANDELLO Beat Beatrice Beatrice's Benedick Benedick and Beatrice Borachio brother called CAPELL character Clau Claudio cofin Coll COLLIER comedy conj Cotgrave daughter DEIGHTON Dogberry Don John Don Pedro Don Timbreo Dyce edition editors English Enter Exeunt Fenicia Folio gives HALLIWELL hand hath haue heart Hero Hero's honour Huds humour Iohn Ktly Lady Leon Leonato London Lord loue Love's Love's Labour's Lost lover Margaret marriage marry meaning Messer Lionato Messina night passage Phaenicia phrase play plot Pope present Prince Quarto reading refers Rowe et seq ſay says scene seems sense Shakespeare ſhall ſhe ſhould Signior sorrow speak ſpeake speech Steev STEEVENS suppose tell thee Theob THEOBALD thou Twelfth Night Tymborus vpon W. A. WRIGHT WALKER Crit Warb WARBURTON word
Beliebte Passagen
Seite 196 - His honour rooted in dishonour stood, And faith unfaithful kept him falsely true.
Seite 57 - twould a saint provoke," (Were the last words that poor Narcissa spoke ;} " No, let a charming chintz and Brussels lace Wrap my cold limbs, and shade my lifeless face : One would not, sure, be frightful when one's dead — And — Betty — give this cheek a little red.
Seite 335 - Occidentals at the end of the sixteenth century and the beginning of the seventeenth.
Seite 239 - O, I do fear thee, Claudio ; and I quake, Lest thou a feverous life shouldst entertain, And six or seven winters more respect Than a perpetual honour. Dar'st thou die ? The sense of death is most in apprehension, And the poor beetle, that we tread upon, In corporal sufferance finds a pang as great As when a giant dies.
Seite 43 - For occasion, as it is in the common verse, turneth a bald noddle, after she hath presented her locks in front, and no hold taken : or at least turneth the handle of the bottle first to be received, and after the belly, which is hard to clasp.
Seite 38 - I have almost forgot the taste of fears : The time has been, my senses would have cool'd To hear a night-shriek ; and my fell of hair Would at a dismal treatise rouse, and stir, As life were in't : I have supp'd full with horrors ; Direness, familiar to my slaughterous thoughts, Cannot once start me.
Seite vii - ... a double sale of their labours, first to the stage, and after to the press, for my own XiI part I here proclaim myself ever faithful in the first, and never guilty of the last.
Seite 51 - When we mean to build. We first survey the plot, then draw the model ; And when we see the figure of the house, Then must we rate the cost of the erection ; Which if we find outweighs ability, What do we then but draw anew the model In fewer offices, or at least desist To build at all...
Seite 234 - Come in the rearward of a conquer'd woe ; Give not a windy night a rainy morrow, To linger out a purposed overthrow. If thou wilt leave me, do not leave me last, When other petty griefs have done their spite, But in the onset come ; so shall I taste At first the very worst of fortune's might ; And other strains of woe, which now seem woe, Compared with loss of thee will not seem so.
Seite 344 - Perhaps that middle point of comedy was never more nicely hit in which the ludicrous blends with the tender, and our follies, turning round against themselves in support of our affections, retain nothing but their humanity.