Literary and Graphical Illustrations of Shakspeare, and the British Drama: Comprising an Historical View of the Origin and Improvement of the English Stage, and a Series of Critical and Descriptive Notices of Upwards of One Hundred of the Most Celebrated Tragedies, Comedies, Operas, and Farces. Embellished with More Than Two Hundred Engravings on WoodMaurice and Company, and pub. by Hurst, Chance and E. Wilson, 1831 - 204 Seiten |
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Seite xv
... received the name of " the King's Servants . " The other companies were the Prince's Servants , who played at the Curtain ; the Palsgrave's Servants , at the Fortune ; the Players of the Revels at the Red Bull ; and the Lady Elizabeth's ...
... received the name of " the King's Servants . " The other companies were the Prince's Servants , who played at the Curtain ; the Palsgrave's Servants , at the Fortune ; the Players of the Revels at the Red Bull ; and the Lady Elizabeth's ...
Seite 2
... received as almost the very last of his pieces , though usually printed the first . It most probably appeared in the latter part of 1612 , or the beginning of 1613 , when it was performed before Prince Charles , the Princess Elizabeth ...
... received as almost the very last of his pieces , though usually printed the first . It most probably appeared in the latter part of 1612 , or the beginning of 1613 , when it was performed before Prince Charles , the Princess Elizabeth ...
Seite 6
... received and well known as a satire upon Sir Thomas Lucy . The most remarkable feature of this drama , is the number , variety , and discrimination , of the characters ; but the action is often broken and not naturally successive , yet ...
... received and well known as a satire upon Sir Thomas Lucy . The most remarkable feature of this drama , is the number , variety , and discrimination , of the characters ; but the action is often broken and not naturally successive , yet ...
Seite 10
... received so much cen- sure as the present , for it's almost impossibility of fable and incident . Steevens vehemently denies that it was entirely Shakspeare's , but pro- nounces it to be the composition of two very unequal writers ...
... received so much cen- sure as the present , for it's almost impossibility of fable and incident . Steevens vehemently denies that it was entirely Shakspeare's , but pro- nounces it to be the composition of two very unequal writers ...
Seite 56
... received into the traditions of Verona , since the last two authors appear to have derived it from the same person : Porto stating that it was related to him by one of his archers , named Peregrino , a native of Verona , upon the ...
... received into the traditions of Verona , since the last two authors appear to have derived it from the same person : Porto stating that it was related to him by one of his archers , named Peregrino , a native of Verona , upon the ...
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Literary and Graphical Illustrations of Shakspeare, and the British Drama ... William Shakespeare Keine Leseprobe verfügbar - 2017 |
Häufige Begriffe und Wortgruppen
acted at Drury-Lane action actors admired afterwards alteration appeared applause attributed Bannister Barry called celebrated character Charles Cibber Colman Comedy comic commences Coriolanus DAVID GARRICK death Dowton Drury-Lane Duke Duke's Theatre edition eminent England ENGLISH STAGE entered at Stationers entertainment Epilogue excellent exhibited Falstaff Fanny Kemble Farce February folio Garrick Haymarket Henry IV humour J. P. Kemble J. R. Planché Jane Shore King Henry Lady Lincoln's Inn Fields London Lord Macklin Malone Miss modern stage nights October old play Opera original performers originally produced Oroonoko perhaps plot Pope present drama present piece Prince principal printed probably produced at Covent-Garden produced at Drury-Lane Prologue published quarto Queen Rackett racter Red Bull Theatre revived scene is laid season Shakspeare's Siddons songs story success supposed talent thee Theophilus Cibber Thomas thou Tom Thumb Tragedy whilst William Davenant WILLIAM SHAKSPEARE written Young
Beliebte Passagen
Seite 33 - All murder'd : for within the hollow crown That rounds the mortal temples of a king Keeps Death his court, and there the antic sits, Scoffing his state and grinning at his pomp...
Seite 63 - Is this a dagger which I see before me, The handle toward my hand ? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight ? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain ? I see thee yet, in form as palpable As this which now I draw.
Seite 45 - O God ! methinks it were a happy life To be no better than a homely swain : To sit upon a hill, as I do now, To carve out dials quaintly, point by point...
Seite 21 - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
Seite 69 - I will in Cassio's lodging lose this napkin, And let him find it. Trifles light as air, Are, to the jealous, confirmations strong As proofs of holy writ.
Seite 31 - For heaven's sake, Hubert, let me not be bound ! Nay, hear me, Hubert ! — drive these men away, And I will sit as quiet as a lamb ; I will not stir, nor wince, nor speak a word, Nor look upon the iron angerly :5 Thrust but these men away, and I'll forgive you, Whatever torment you do put me to.
Seite 154 - Be to her virtues very kind ; Be to her faults a little blind ; Let all her ways be unconfin'd ; And clap your padlock — on her mind.
Seite 100 - Dr. Swift had been observing once to Mr. Gay, what an odd pretty sort of a thing a Newgate Pastoral might make. Gay was inclined to try at such a thing for some time; but afterwards thought it would be better to write a comedy on the same plan. This was what gave rise to The Beggar's Opera.
Seite 64 - The younger sort take much delight in Shakespeare's Venus and Adonis ; but his Lucrece, and his tragedy of Hamlet Prince of Denmarke, have it in them to please the wiser sort, 1598.
Seite 40 - How would it have joyed brave Talbot (the terror of the French) to think that after he had lain two hundred years in his tomb, he should triumph again on the stage, and have his bones new embalmed with the tears of ten thousand spectators at least (at several times) who in the tragedian that represents his person, imagine they behold him fresh bleeding...