Obbligati: Essays in CriticismAtheneum, 1986 - 330 Seiten "The proper role of criticism [is] as a musical obbligato; that is, a counterpart that must constantly strive to move in strict harmony with and intellectual counterpoint to its subject, and remain always subordinate to the text upon which it presumes to comment." With this declaration, Hecht sets forth the manifesto of this graceful group of essays, implicitly chiding today's academic critics who apply theories to texts. Hecht is particularly elegant and eloquent on contemporary American poetry, from the tension between truth and fiction in Robert Lowell's autobiographical lyrics to the "musicianship" of Richard Wilbur. Hecht's best essay evokes the unique poetic voice of Elizabeth Bishop, and he is equally perspicacious on Frost, Auden, and Dickinson. An extended essay on Marvell's "The Garden" and Keats' "Ode to a Nightingale" offers an unusual comparative reading that captures the energies and langours of both poems. This book offers literary essays of rare quality. The writing throughout is a model of form suiting function--the lucid exposition of well-chosen ideas. |
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Seite 32
... called , " Of Laws in Relation to the Nature of the Climate . ” The work has been called “ certainly one of the greatest of the French eighteenth century , " though perhaps to modern ears the little fragment I have quoted will sound ...
... called , " Of Laws in Relation to the Nature of the Climate . ” The work has been called “ certainly one of the greatest of the French eighteenth century , " though perhaps to modern ears the little fragment I have quoted will sound ...
Seite 125
... called " Cootchie . " Like many another of her poems , this one leaves us uncer- tain just who is being addressed . Though the command to " Listen " might be taken to be addressed to one or several who are in the company of the poet as ...
... called " Cootchie . " Like many another of her poems , this one leaves us uncer- tain just who is being addressed . Though the command to " Listen " might be taken to be addressed to one or several who are in the company of the poet as ...
Seite 255
... called knowledge ; for how can that be called knowledge , which is without evidence or • reason ? Nor ignorance , on the other hand 255 Shades of Keats and Marvell.
... called knowledge ; for how can that be called knowledge , which is without evidence or • reason ? Nor ignorance , on the other hand 255 Shades of Keats and Marvell.
Inhalt
The Pathetic Fallacy | 3 |
On W H Audens In Praise of Limestone | 27 |
Othello | 51 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
answer Antonio appears Bassanio bear beauty become beginning believe bird body called character Christian clear comes continues course critics death doubt effect example exhibit eyes face fact father feelings figure final follows give given hand hear heart heaven hope human Iago imagination innocent interest Italy Jacob Jesus Jews kind later least less letter lines live look Lord Lowell means mind moral nature never offer once Othello passage perhaps play poem poet poetry Portia present question reason refers regard remarks rich scene seems sense Shakespeare Shylock sort soul speaks speech stand stanza story suggest symbolic tell things thou thought tion truth turn unto virtue whole writes young
Verweise auf dieses Buch
Laughter, Pain, and Wonder: Shakespeare's Comedies and the Audience in the ... David Richman Eingeschränkte Leseprobe - 1990 |
"Fallen from the Symboled World": Precedents for the New Formalism Wyatt Prunty Eingeschränkte Leseprobe - 1990 |