Obbligati: Essays in CriticismAtheneum, 1986 - 330 Seiten "The proper role of criticism [is] as a musical obbligato; that is, a counterpart that must constantly strive to move in strict harmony with and intellectual counterpoint to its subject, and remain always subordinate to the text upon which it presumes to comment." With this declaration, Hecht sets forth the manifesto of this graceful group of essays, implicitly chiding today's academic critics who apply theories to texts. Hecht is particularly elegant and eloquent on contemporary American poetry, from the tension between truth and fiction in Robert Lowell's autobiographical lyrics to the "musicianship" of Richard Wilbur. Hecht's best essay evokes the unique poetic voice of Elizabeth Bishop, and he is equally perspicacious on Frost, Auden, and Dickinson. An extended essay on Marvell's "The Garden" and Keats' "Ode to a Nightingale" offers an unusual comparative reading that captures the energies and langours of both poems. This book offers literary essays of rare quality. The writing throughout is a model of form suiting function--the lucid exposition of well-chosen ideas. |
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Seite 187
... figure of the play , and its most selfless and generous figure , Antonio . And Antonio's solution exacts prodigality and life in the place of thriftiness and death . The " proof " that Portia offers is in fact demonstrated theo ...
... figure of the play , and its most selfless and generous figure , Antonio . And Antonio's solution exacts prodigality and life in the place of thriftiness and death . The " proof " that Portia offers is in fact demonstrated theo ...
Seite 192
... figure who seems to represent the very " law " itself , since he presides at the trial and is the chief officer of the state . Impetuously he orders Shylock to obey 192 The Merchant of Venice : A Venture in Hermeneutics.
... figure who seems to represent the very " law " itself , since he presides at the trial and is the chief officer of the state . Impetuously he orders Shylock to obey 192 The Merchant of Venice : A Venture in Hermeneutics.
Seite 320
... Figure equal Man . Commentators on these lines have invariably referred , cor- rectly , to the mathematical impossibility of squaring the circle , and have gone on to remark , apropos the " holy mathematics , " that " the circle ...
... Figure equal Man . Commentators on these lines have invariably referred , cor- rectly , to the mathematical impossibility of squaring the circle , and have gone on to remark , apropos the " holy mathematics , " that " the circle ...
Inhalt
The Pathetic Fallacy | 3 |
On W H Audens In Praise of Limestone | 27 |
Othello | 51 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
answer Antonio appears Bassanio bear beauty become beginning believe bird body called character Christian clear comes continues course critics death doubt effect example exhibit eyes face fact father feelings figure final follows give given hand hear heart heaven hope human Iago imagination innocent interest Italy Jacob Jesus Jews kind later least less letter lines live look Lord Lowell means mind moral nature never offer once Othello passage perhaps play poem poet poetry Portia present question reason refers regard remarks rich scene seems sense Shakespeare Shylock sort soul speaks speech stand stanza story suggest symbolic tell things thou thought tion truth turn unto virtue whole writes young
Verweise auf dieses Buch
Laughter, Pain, and Wonder: Shakespeare's Comedies and the Audience in the ... David Richman Eingeschränkte Leseprobe - 1990 |
"Fallen from the Symboled World": Precedents for the New Formalism Wyatt Prunty Eingeschränkte Leseprobe - 1990 |