Obbligati: Essays in CriticismAtheneum, 1986 - 330 Seiten "The proper role of criticism [is] as a musical obbligato; that is, a counterpart that must constantly strive to move in strict harmony with and intellectual counterpoint to its subject, and remain always subordinate to the text upon which it presumes to comment." With this declaration, Hecht sets forth the manifesto of this graceful group of essays, implicitly chiding today's academic critics who apply theories to texts. Hecht is particularly elegant and eloquent on contemporary American poetry, from the tension between truth and fiction in Robert Lowell's autobiographical lyrics to the "musicianship" of Richard Wilbur. Hecht's best essay evokes the unique poetic voice of Elizabeth Bishop, and he is equally perspicacious on Frost, Auden, and Dickinson. An extended essay on Marvell's "The Garden" and Keats' "Ode to a Nightingale" offers an unusual comparative reading that captures the energies and langours of both poems. This book offers literary essays of rare quality. The writing throughout is a model of form suiting function--the lucid exposition of well-chosen ideas. |
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Seite 147
... innocent blood . Since the formerly incarnate God was now in heaven , the Jews aspired to the blood of the most innocent of the believers , i.e. , the children , the tender Christians . As a result of this reasoning , the sea- son of ...
... innocent blood . Since the formerly incarnate God was now in heaven , the Jews aspired to the blood of the most innocent of the believers , i.e. , the children , the tender Christians . As a result of this reasoning , the sea- son of ...
Seite 232
... innocent because it is unconscious of its virtue , and its per- fect existence is therefore effortless . The sweaty ... innocence of the garden to symbolize this vanity . The garden stands opposed to the world , not only in the genuine ...
... innocent because it is unconscious of its virtue , and its per- fect existence is therefore effortless . The sweaty ... innocence of the garden to symbolize this vanity . The garden stands opposed to the world , not only in the genuine ...
Seite 234
... innocent of sexual overtones . The poet is certainly completely passive as Nature forces herself upon him in a quite overpowering way . There is a species of physical rape going on here which is acceptable because it is pleasant , and ...
... innocent of sexual overtones . The poet is certainly completely passive as Nature forces herself upon him in a quite overpowering way . There is a species of physical rape going on here which is acceptable because it is pleasant , and ...
Inhalt
The Pathetic Fallacy | 3 |
On W H Audens In Praise of Limestone | 27 |
Othello | 51 |
Urheberrecht | |
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answer Antonio appears Bassanio bear beauty become beginning believe bird body called character Christian clear comes continues course critics death doubt effect example exhibit eyes face fact father feelings figure final follows give given hand hear heart heaven hope human Iago imagination innocent interest Italy Jacob Jesus Jews kind later least less letter lines live look Lord Lowell means mind moral nature never offer once Othello passage perhaps play poem poet poetry Portia present question reason refers regard remarks rich scene seems sense Shakespeare Shylock sort soul speaks speech stand stanza story suggest symbolic tell things thou thought tion truth turn unto virtue whole writes young
Verweise auf dieses Buch
Laughter, Pain, and Wonder: Shakespeare's Comedies and the Audience in the ... David Richman Eingeschränkte Leseprobe - 1990 |
"Fallen from the Symboled World": Precedents for the New Formalism Wyatt Prunty Eingeschränkte Leseprobe - 1990 |