Obbligati: Essays in CriticismAtheneum, 1986 - 330 Seiten "The proper role of criticism [is] as a musical obbligato; that is, a counterpart that must constantly strive to move in strict harmony with and intellectual counterpoint to its subject, and remain always subordinate to the text upon which it presumes to comment." With this declaration, Hecht sets forth the manifesto of this graceful group of essays, implicitly chiding today's academic critics who apply theories to texts. Hecht is particularly elegant and eloquent on contemporary American poetry, from the tension between truth and fiction in Robert Lowell's autobiographical lyrics to the "musicianship" of Richard Wilbur. Hecht's best essay evokes the unique poetic voice of Elizabeth Bishop, and he is equally perspicacious on Frost, Auden, and Dickinson. An extended essay on Marvell's "The Garden" and Keats' "Ode to a Nightingale" offers an unusual comparative reading that captures the energies and langours of both poems. This book offers literary essays of rare quality. The writing throughout is a model of form suiting function--the lucid exposition of well-chosen ideas. |
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Seite 61
... speech , and in it is couched no mere self - respect , nor even boasting under the guise of refusing to boast , but ... speech , with its intricate pattern of " ' tis yet to know , . . which , when I know ... for know , Iago , ” that ...
... speech , and in it is couched no mere self - respect , nor even boasting under the guise of refusing to boast , but ... speech , with its intricate pattern of " ' tis yet to know , . . which , when I know ... for know , Iago , ” that ...
Seite 81
... speech collapses into raving . And therefore his final speech ought to astonish us as an achievement of unexpected strength and self - command , even as we are astonished to find an unexpected weapon in his possession . The speech ...
... speech collapses into raving . And therefore his final speech ought to astonish us as an achievement of unexpected strength and self - command , even as we are astonished to find an unexpected weapon in his possession . The speech ...
Seite 199
... speech the playwright must have enjoyed writing , and one that an actor cannot help rejoice in delivering : a solo ... speech which I confess I am unsure how to read or in what spirit to comprehend . It seems to me the sort of speech ...
... speech the playwright must have enjoyed writing , and one that an actor cannot help rejoice in delivering : a solo ... speech which I confess I am unsure how to read or in what spirit to comprehend . It seems to me the sort of speech ...
Inhalt
The Pathetic Fallacy | 3 |
On W H Audens In Praise of Limestone | 27 |
Othello | 51 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
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Verweise auf dieses Buch
Laughter, Pain, and Wonder: Shakespeare's Comedies and the Audience in the ... David Richman Eingeschränkte Leseprobe - 1990 |
"Fallen from the Symboled World": Precedents for the New Formalism Wyatt Prunty Eingeschränkte Leseprobe - 1990 |