The Stones of Venice: The fallSmith, Elder, 1853 |
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Abacus admirable angels arch architecture archivolt artist beautiful believe building Byzantine Campo San Polo capitals Casa character Christ Christian CHURCH OF ST colour curious cusp dark decoration delight Doge door Ducal Palace early effect example expression façade feeling figures Fondaco Foscari fourteenth century Francesco Dandolo Frari Gothic Grand Canal grotesque ground head heart human imagination importance interesting John and Paul kind knowledge labour leaves light look Madonna magnificent manner marble Mark's mind modern monument Morosini mouldings Murano nature noble observe once ornament painted painter PALAZZO Paternian Paul Veronese perfect period picture piece Plate plinth pride principal reader Renaissance Renaissance architecture represented rich San Rocco Santa Maria Formosa sarcophagus sculpture seen shafts side soul spandrils spirit stone things thirteenth century thought Tintoret Titian tomb traceries truth Turchi Venetian Venice Veronese volume whole workman
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Seite 36 - bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race. His going forth is from the end of the heaven, and his circuit unto the ends of it, and there is nothing hid from the