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to the country. In the fulness of his fame, with a handsome competency, and before age had chilled the enjoyment of life, the poet returned to his native town to spend the remainder of his days among the quiet scenes and the friends of his youth. Four years were spent by Shakespeare in this dignified retirement, and the history of literature scarcely presents another such picture of calm felicity and satisfied ambition.'

He was evidently a shrewd man of business, farming his own lands, disposing of their product, and looking to it that the purchasers paid what they owed ; for in 1604 we find him bringing action against one Philip Rogers for about fortyfive dollars formalt sold and delivered to him."

He died somewhat suddenly, in 1616, of a fever, , and was buried in the parish church, where a contemporary bust of him still exists, which must be regarded as the bestauthenticated likeness of the poet. His wife survived him seven years. His only son, Hamnet, died at the age of twelve; his two daughters, Susanna and Judith, both married, and one of them had three sons, but they all died without issue, so that a quarter of a century after his death there was no living descendant of Shakespeare.

Shakespeare must early have won a high place in the esteem of the most accomplished noblemen of Queen Elizabeth's court, for as early as 1594 he dedicated his poem, the “Rape of Lucrece,” to the Earl of Southampton, in terms which demonstrate the existence of mutual respect of a high degree between the author and his patron.

It is said that Southampton once presented Shakespeare with a sum of money equivalent to twenty-five thousand dollars in our day, but of this there is no conclusive evidence. It is certain, however, that the noble earl was glad to serve the popular writer and player, and that he was the means of procuring for “ William Kempe, William Shakespeare, and Richarde Burbage, servauntes to the Lord Chamberleyne,” an invitation to present before the Court “twoe severall comedies or enterludes,” for which they received twenty pounds.



That Shakespeare had written more or less before he went up to London is altogether probable; that " Venus and Adonis” was the first fruits of his invention" in any other sense than that of being the first to be printed, is not probable. That he was certainly employed as playwright or adapter of dramas for the stage before this time is unquestionable, and it is most likely that as a poet he had attracted the notice of the author of the “Faerie Queene," who was his senior by

eleven years.

The productive literary life of Shakespeare, as far as we can date it, covers the twenty years preceding 1612, when at the age of forty-eight he retired to his native Stratford-on-Avon, after which we have no proof that he wrote anything

Shakespeare's dramas, according to the all but universally accepted canon, number thirty-seven. There is no good reason to suppose that any of his plays have been lost, or that he had any considerable share in the composition of any others.

doubtedly availed himself FOUNTAIN AND CLOCK TOWER ERECTED BY GEO. W. Childs AT

somewhat of the works of earlier playwrights, and in his

historical plays made large use of the chroniclers, from whom he took not merely the historical outlines, but page after page of their very words, only throwing into dramatic form the continuous narrative of his authorities. Scene after scene in “ Macbeth” is to be found in the " Chronicles" of Holinshed, themselves a translation from the Latin of Hector Boece, which had been published only a few years; and some of the most dramatic scenes in “ Richard III.” are reproductions from “ The Union of the Two Noble and Illustr Families of Lancastre and Yorke," by Edward Hall.

The dates of the production of the dramas are mainly conjectural ; although it is pretty well settled that “ Pericles, Prince of Tyre,” was one of the earliest, and "The Tempest” one of the latest ; that “Romeo and Juliet” was an early play and “Cymbeline” a late one. Twelve plays at least, and doubtless several more, had been produced before Shakespeare reached his thirty-fourth year. His


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greatest works are of later date. · Hamlet” was certainly produced as early as 1604, and “ Macbeth” previous to 1610.

About a dozen of the plays of Shakespeare seem to have been printed during his lifetime, probably not by his procurement. The entire plays were first put forth in a folio volume in 1623, seven years after his death. It has a preface and dedication by his fellow-players, Heminge and Condell, and was undoubtedly printed from the stage copies, which could hardly have failed to have been sanctioned by Shakespeare.

Aside from his dramas, Shakespeare would rank with Spenser and Milton as an imaginative poet. His one hundred and fifty-four sonnets, some of which were probably among his earliest productions, are sometimes imagined to express his deepest personal feelings, and to reveal, in great measure, the story of his life; but as Shakespeare wrote to please his reader, and with very little apparent thought of himself, such conclusions must be accepted with great caution. The wonderful dramas so far surpass his other poems that the latter are now but little read.

Shakespeare's actual observation of the world was probably limited to the territory within a distance of fifty miles from the highway, itself a hundred miles in length, which leads from Stratford to London ; but by some marvel of endowment he was enabled to touch the mind and heart of men of every land and every generation, and it has been well said that no poet has ever written on any topic but it can be found better done in Shakespeare.

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HE quality of mercy is not strained ; ! But mercy is above this sceptered sway;

It droppeth as the gentle rain from heaven | It is enthroned in the hearts of kings,
Upon the place beneath : it is twice It is an attribute to God himself;
blessed :

And earthly power doth then show likest God's
It blesseth him that gives and him that takes : When mercy seasons justice. Therefore, Jew,
'Tis mightiest in the mightiest; it becomes Though justice be thy plea, consider this-
The thronéd monarch better than his crown; That, in the course of justice, none of us
His scepter shows the force of temporal power,

Should see salvation : we do pray for mercy ;
The attribute to awe and majesty,

And that same prayer doth teach us all to render Wherein doth sit the dread and fear of kings;

The deeds of mercy.

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SONNET XCIX. The forward violet thus did I chide ;

The roses fearfully on thorns did stand, Sweet thief, whence didst thou steal thy sweet that | One blushing shame, another white despair; smells,

A third, nor red nor white, had stolen of both,
If not from my love's breath? The purple pride And to his robbery had annexed thy breath ;
Which on thy soft cheek for complexion dwells, But for his theft, in pride of all his growth
In my love's veins thou hast too grossly dyed. A vengeful canker eat him up to death.
The lily I condemned for thy hand,

More flowers I noted, yet I none could see,
And buds of marjoram had stolen thy hair :

But sweet or color it had stolen from thee.


O, it is excellent Merciful Heaven !
To have a giant's strength; but it is tyrannous Thou rather, with thy sharp and sulphurous bolt,
To use it like a giant.

Splitt'st the unwedgeable and gnarled oak
Than the soft myrtle : But man, proud man,

Dressed in a little brief authority,
Could great men thunder, Most ignorant of what he's most assured,–
As Jove himself does, Jove would ne'er be quiet; His glassy essence, like an angry ape,
For every pelting, petty officer

Plays such fantastic tricks before high Heaven Would use his heaven for thunder: nothing but As make the angels weep: who, with our spleens. thunder.

Would all themselves laugh mortal.


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“ MACBETH," Act IV, Scene 1.
A dark cave.

In the middle, a caldron boiling. Thunder.
Enter the three Witches.

All. Double, double, toil and trouble ;
Ist Witch. Thrice the brinded cat has mewed. Fire burn, and caldron bubble.
2d Witch. Thrice; and once the hedge-pig 2d Witch. Fillet of a fenny snake,

In the caldron boil and bake: 3d Witch. Harpier cries :- 'Tis time, 'tis time. Eye of newt, and toe of frog,

Ist Witch. Round about the caldron go; Wool of bat, and tongue of dog, In the poisoned entrails throw.

Adder's fork, and blind-worm's sting, Toad, that under the cold stone,

Lizard's leg, and owlet's wing, Days and nights hast thirty-one

For a charm of powerful trouble ; Sweltered venom sleeping got,

Like a hell-broth boil and bubble.
Boil thou first i' the charmed pot !

All. Double, double, toil and trouble ;
Fire burn, and caldron bubble.


“ HENRY VIII," Act IV, Scene 4. Kath. Sir, I most humbly pray you to deliver And something over to remember me by ; This to my lord the King.

If heaven had pleased to have given me longer life, Сар.

Most willing, madam. And able means, we had not parted thus. Kath. In which I have commended to his These are the whole contents:-And, good my goodness

lord, The model of our chaste loves, his young daugh- By that you love the dearest in this world, ter:

As you wish Christian peace to souls departed, The dews of heaven fall thick in blessings on Stand these poor people's friend, and urge the king her!

To do me this last right. Beseeching him to give her virtuous breeding; Cap.

By heaven, I will; (She is young, and of a noble, modest nature; Or let me lose the fashion of a man ! I hope she will deserve well ;) and a little

Kath. I thank you, honest lord. Remember me To love her for her mother's sake, that loved him, In all humility unto his highness : Heaven knows how dearly. My next poor petition Say, his long trouble now is passing Is, that his noble grace would have some pity Out of this world: tell him, in death I blessed Upon my wretched women, that so long

him, Have followed both my fortunes faithfully: For so I will.—Mine eyes grow dim.-Farewell, Of which there is not one, I dare avow,

My lord.—Griffith, farewell.–Nay, Patience, (And now I should not lie,) but will deserve, You must not leave me yet. I must to bed ; For virtue, and true beauty of the soul,

Call in more women. —When I am dead, good For honesty, and decent carriage,

wench, A right good husband, let him be a noble ;

Let me be used with honor; strew me over And, sure, those men are happy that shall have With maiden flowers, that all the world may know them.

I was a chaste wife to my grave: embalm me, The last is, for my men ;—they are the poorest, Then lay me forth: although unqueened, yet like But poverty could never draw them from me ;- A queen, and daughter to a king, inter me. That they may have their wages duly paid them, I can no more.

A MIDSUMMER Night's DREAM,Act V, Scene 1.

I never may believe Doth glance from heaven to earth, from earth to These antique fables, nor these fairy toys.

heaven, Lovers and madmen have such seething brains, And, as imagination bodies forth Such shaping fantasies, that apprehend

The forms of things unknown, the poet's pen More than cool reason ever comprehends.

Turns them to shapes, and gives to airy nothing The lunatic, the lover, and the poet,

A local habitation and a name.
Are of imagination all compact :

Such tricks hath strong imagination,
One sees more devils than vast hell can hold- That, if it would but apprehend some joy,
That is the madman: the lover, all as frantic, It comprehends some bringer of that joy;
Sees Helen's beauty in a brow of Egypt:

Or, in the night, imagining some fear,
The poet's eye, in a fine frenzy rolling,

How easy is a bush supposed a bear !


“ MIDSUMMER Night's Dream," Act II, Scene 1. Over hill, over dale,

To dew her orbs upon the green:
Thorough bush, thorough brier,

The cowslips tall her pensioners be;
Over park, over pale,

In their gold coats spots you see;
Thorough flood, thorough fire,

Those be rubies, fairy favors,
I do wander everywhere,

In those freckles live their savors ; Swifter than the inoon's sphere ;

I must go seek some dew-drops here, As I serve the fairy queen,

And hang a pearl in every cowslip's ear.

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