Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 23
Seite 43
... 19th century . Understandably , the majority of audiences felt more at home with the popular waltz than with the symphonies of Schubert , Brahms , Bruckner and Mahler . Though all these composers tried to elevate the ländler folk dances ...
... 19th century . Understandably , the majority of audiences felt more at home with the popular waltz than with the symphonies of Schubert , Brahms , Bruckner and Mahler . Though all these composers tried to elevate the ländler folk dances ...
Seite 109
... 19th - century notion of the Artist as Hero . When theories are put into practice , they often seem less attractive ... century after the founding of Bayreuth , the Wagner cult continues unabated . If history is any guide , that would ...
... 19th - century notion of the Artist as Hero . When theories are put into practice , they often seem less attractive ... century after the founding of Bayreuth , the Wagner cult continues unabated . If history is any guide , that would ...
Seite 124
... 19th century underlined ( as did the technology of railroads , tunnels and suspension bridges ) . During the second half of the 19th century , Vienna entered its last phase of imperial splendour - an ephemeral brilliance , pompously ...
... 19th century underlined ( as did the technology of railroads , tunnels and suspension bridges ) . During the second half of the 19th century , Vienna entered its last phase of imperial splendour - an ephemeral brilliance , pompously ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
10 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis