Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
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Seite 110
... Cage's ' heretical ... Renaissance ideal of self - expressive art ' , has been challenged by a very different ideal based on Oriental philosophy . In this new philosophy , the form and function of art provides a constant process of ...
... Cage's ' heretical ... Renaissance ideal of self - expressive art ' , has been challenged by a very different ideal based on Oriental philosophy . In this new philosophy , the form and function of art provides a constant process of ...
Seite 111
... Cage was prepared to do for the very specific purpose of achieving ' nothing ' . ' There are no catastrophes . ' That , said Morton Feldman , was what they learned from John Cage . It was not quite an echo of the musicians of the East ...
... Cage was prepared to do for the very specific purpose of achieving ' nothing ' . ' There are no catastrophes . ' That , said Morton Feldman , was what they learned from John Cage . It was not quite an echo of the musicians of the East ...
Seite 112
... Cage perceived the need for a gradual devolution : ' Whenever I have found that what I am doing has been pleasing , even to one person , I have redoubled my efforts to find the next step ' . He liked to think that ' the sounds people ...
... Cage perceived the need for a gradual devolution : ' Whenever I have found that what I am doing has been pleasing , even to one person , I have redoubled my efforts to find the next step ' . He liked to think that ' the sounds people ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis