Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
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Ergebnisse 1-3 von 89
Seite 78
... rock phenomenon possible at all . And where the Negro held precariously on to this formula , constantly pulling in to preserve the essential African elements against the white man's inclinations to exploit them , the white rock ...
... rock phenomenon possible at all . And where the Negro held precariously on to this formula , constantly pulling in to preserve the essential African elements against the white man's inclinations to exploit them , the white rock ...
Seite 89
... Rock and art music were , for the most part , self- conscious , trained musicians . The concept of synthesizing Rock and art music is highly laudable but so many attempts have succeeded only in being pretentious . It is not easy to draw ...
... Rock and art music were , for the most part , self- conscious , trained musicians . The concept of synthesizing Rock and art music is highly laudable but so many attempts have succeeded only in being pretentious . It is not easy to draw ...
Seite 91
... rock and , although hinself essentially a Soul musician , has been idolized by Rock audiences . Above all , he embodies the fact that jazz and Blues are still essentially Black music . Not least to influence Wonder was , of course ...
... rock and , although hinself essentially a Soul musician , has been idolized by Rock audiences . Above all , he embodies the fact that jazz and Blues are still essentially Black music . Not least to influence Wonder was , of course ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis