Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 10
Seite 12
... acceptance of popular music as suitable material for scholarly research and the increasing tendency of musicians to be involved , actively or passively , in both types of music . Classical and popular music provoke very different types ...
... acceptance of popular music as suitable material for scholarly research and the increasing tendency of musicians to be involved , actively or passively , in both types of music . Classical and popular music provoke very different types ...
Seite 74
... acceptance , both in the performing group and in its audiences ' reactions and involvement . So jazz bands played for the balls of the wealthy and the dances of the poor , for parades , funerals and weddings . Like the Town Waits of ...
... acceptance , both in the performing group and in its audiences ' reactions and involvement . So jazz bands played for the balls of the wealthy and the dances of the poor , for parades , funerals and weddings . Like the Town Waits of ...
Seite 78
... acceptance . The white man may imitate the notes and take the money , but he has never risen to the transporting quality in the improvisations of an Armstrong , Davis or Coltrane . Nor can he aspire to the unique timbre of the Negro ...
... acceptance . The white man may imitate the notes and take the money , but he has never risen to the transporting quality in the improvisations of an Armstrong , Davis or Coltrane . Nor can he aspire to the unique timbre of the Negro ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis