Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 84
Seite 45
... music appeared to play the paradox right through . The plot of Berg's Lulu ... art had been finally subverted : that here , at last , the sound expressed ... music remains an artistic ornament rather than a ritual , it is necessary to ...
... music appeared to play the paradox right through . The plot of Berg's Lulu ... art had been finally subverted : that here , at last , the sound expressed ... music remains an artistic ornament rather than a ritual , it is necessary to ...
Seite 57
... music . While the isolation of art from ritual created the possibility of genius , the polarised class structure of capitalism created the need for copyright . Much of pre - Renaissance music remains anonymous . Working class music was ...
... music . While the isolation of art from ritual created the possibility of genius , the polarised class structure of capitalism created the need for copyright . Much of pre - Renaissance music remains anonymous . Working class music was ...
Seite 163
... art music remains an appropriate object for token support , for it provides a ceremonial illusion of historical continuity . As long as contemporary music is required and understood only by a minority of a minority , it too , will ...
... art music remains an appropriate object for token support , for it provides a ceremonial illusion of historical continuity . As long as contemporary music is required and understood only by a minority of a minority , it too , will ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
2 | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis