Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
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Seite 39
... called La Guerre des Bouffons ( The War of the Comedians ) : And even though with us the decorations are more brilliant , because they are oiled with oil and the expense is not spared , I found that , nonetheless , these would have been ...
... called La Guerre des Bouffons ( The War of the Comedians ) : And even though with us the decorations are more brilliant , because they are oiled with oil and the expense is not spared , I found that , nonetheless , these would have been ...
Seite 81
... called it the ' Nashville Sound ' . It started in Nashville's performing arena , the ' Opry ' , in 1925 and the ... called it ' Rockabilly ' . The number of full time country radio stations shot from 80 to 600 and , by 1970 , Country ...
... called it the ' Nashville Sound ' . It started in Nashville's performing arena , the ' Opry ' , in 1925 and the ... called it ' Rockabilly ' . The number of full time country radio stations shot from 80 to 600 and , by 1970 , Country ...
Seite 151
... called ' filtering ' . When sine tones are produced simultaneously over the full range of frequencies , the result is called ' white noise ' . Unwanted frequencies can then be filtered out of this ' white noise ' so that different ...
... called ' filtering ' . When sine tones are produced simultaneously over the full range of frequencies , the result is called ' white noise ' . Unwanted frequencies can then be filtered out of this ' white noise ' so that different ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis