Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 12
Seite 49
... ceremony : indeed music is ceremony's touchstone . Its presence at all manner of functions , where it can never properly be listened to , turns those functions into ceremonies : from cocktail parties to mess dinners and from circuses to ...
... ceremony : indeed music is ceremony's touchstone . Its presence at all manner of functions , where it can never properly be listened to , turns those functions into ceremonies : from cocktail parties to mess dinners and from circuses to ...
Seite 93
... ceremony and so retained its magic . The first white Americans needed ceremony to provide unity and a sense of belonging ; but commercialisation eroded the ceremonial function until its vitalising cause disappeared ; as distinctive ...
... ceremony and so retained its magic . The first white Americans needed ceremony to provide unity and a sense of belonging ; but commercialisation eroded the ceremonial function until its vitalising cause disappeared ; as distinctive ...
Seite 94
... ceremony and not self expression . An authentic ' folk ' music ritual cannot , it seems , function for a majority in a technocratic society . It either remains as a sterile ceremony or becomes another form of entertainment . However ...
... ceremony and not self expression . An authentic ' folk ' music ritual cannot , it seems , function for a majority in a technocratic society . It either remains as a sterile ceremony or becomes another form of entertainment . However ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis