Roll Over Rock: A Study of Music in Contemporary Culture

19th century acceptance achieved American appear art music artistic association attempted audience aware basic became become Beethoven began Blues Books Cage called cause century ceremony characteristics Church classical collective communal composers concept contemporary continue contrast course created culture dance early effect electronic elements emotional essentially European exist experience expression fact folk function give groups harmony human individual influence integral Italy jazz largely least less listener live London means melody middle musicians nature never notes notion opera orchestra original particular performed pitch play political popular possible post-Renaissance present primitive problem produce record remained Renaissance response result rhythm ritual Rock rule seems sense shows sing social society songs sound space structure style symphonic taste thing tradition tunes universal Wagner Western York