Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 9
Seite 45
... continue to react to music by 19th- century rather than 20th - century precepts . Therefore we ( that is the general public ) , rather than the composers , have created inevitably , understandably but nonetheless inexorably - an ...
... continue to react to music by 19th- century rather than 20th - century precepts . Therefore we ( that is the general public ) , rather than the composers , have created inevitably , understandably but nonetheless inexorably - an ...
Seite 63
... continue as a necessity in the lives of the frontiersmen , an antidote to the hard facts of survival . Wherever there is something to sing about , people will sing . The making of America was an epic of gargantuan proportions to dwarf ...
... continue as a necessity in the lives of the frontiersmen , an antidote to the hard facts of survival . Wherever there is something to sing about , people will sing . The making of America was an epic of gargantuan proportions to dwarf ...
Seite 153
... continue to testify to our culture , it is inevitable that composers will look to the latest technology for new challenges . The tape recorder was the spearhead for the synthesised sound which has pervaded our musical scene , often to ...
... continue to testify to our culture , it is inevitable that composers will look to the latest technology for new challenges . The tape recorder was the spearhead for the synthesised sound which has pervaded our musical scene , often to ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis