Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
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Seite 45
... culture . Yet culture should refer to an environment in which a species is able to grow . Aware that art music , as we have traditionally known it over a period of some 600 years , is incompatible with our present culture , contemporary ...
... culture . Yet culture should refer to an environment in which a species is able to grow . Aware that art music , as we have traditionally known it over a period of some 600 years , is incompatible with our present culture , contemporary ...
Seite 49
... culture ' to become today's ' super - culture ' . Folk music unifies where Western art music diversifies . Attitudes towards injustice are shaped by the extent to which the passage of time accords them a place secure in history . The ...
... culture ' to become today's ' super - culture ' . Folk music unifies where Western art music diversifies . Attitudes towards injustice are shaped by the extent to which the passage of time accords them a place secure in history . The ...
Seite 153
... culture , it is inevitable that composers will look to the latest technology for new challenges . The tape recorder was the spearhead for the synthesised sound which has pervaded our musical scene , often to very expressive purposes ...
... culture , it is inevitable that composers will look to the latest technology for new challenges . The tape recorder was the spearhead for the synthesised sound which has pervaded our musical scene , often to very expressive purposes ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis