Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
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Ergebnisse 1-3 von 21
Seite 25
... dancers . There had been mumblings in certain areas of Islam ( probably quite correct ) that music and dance were related to lasciviousness , and a correspond- ingly low status was accorded to musicians . The early Christians , however ...
... dancers . There had been mumblings in certain areas of Islam ( probably quite correct ) that music and dance were related to lasciviousness , and a correspond- ingly low status was accorded to musicians . The early Christians , however ...
Seite 51
... ( dance in a ring ) their wassail songs from door to door while begging for food and drink . To assist nature in its regeneration , May Day , with its phallic dances round the maypole , provided opportunity not only for song begging but ...
... ( dance in a ring ) their wassail songs from door to door while begging for food and drink . To assist nature in its regeneration , May Day , with its phallic dances round the maypole , provided opportunity not only for song begging but ...
Seite 83
... dances . Quite quickly the dance element had a leavening effect on the original style and eliminated the half - spoken introduction and general rhythmic liberties that had characterised the early Blues . As the Blues singers started ...
... dances . Quite quickly the dance element had a leavening effect on the original style and eliminated the half - spoken introduction and general rhythmic liberties that had characterised the early Blues . As the Blues singers started ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis