Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
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Seite 149
... electronic machine . What can electronic sound generators do that man and his instruments cannot do ? With the aid of filters , amplifiers and loudspeakers they can reproduce , according to wave form analysis , exactly pre - determined ...
... electronic machine . What can electronic sound generators do that man and his instruments cannot do ? With the aid of filters , amplifiers and loudspeakers they can reproduce , according to wave form analysis , exactly pre - determined ...
Seite 151
... electronic music with real instruments ' was reduced , in 1939 , to recording sounds at different pitches by varying the speed of a gramophone turntable . It is at least gratifying to record that when , in 1958 , Le Corbusier conceived ...
... electronic music with real instruments ' was reduced , in 1939 , to recording sounds at different pitches by varying the speed of a gramophone turntable . It is at least gratifying to record that when , in 1958 , Le Corbusier conceived ...
Seite 152
... electronic music : new media are first used to expand the terms of the old , and Stockhausen actually invented a notation for publishing a score of his electronic composition ' Studie II ' ( 1954 ) . The early results of the Paris and ...
... electronic music : new media are first used to expand the terms of the old , and Stockhausen actually invented a notation for publishing a score of his electronic composition ' Studie II ' ( 1954 ) . The early results of the Paris and ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis