Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
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Seite 14
... exist so clearly in music when it does not exist so obviously in the other arts ? The historical reasons should become clear throughout the course of this book . However , it is worth pointing here to a number of factors , peculiar to ...
... exist so clearly in music when it does not exist so obviously in the other arts ? The historical reasons should become clear throughout the course of this book . However , it is worth pointing here to a number of factors , peculiar to ...
Seite 15
... exist in different degrees of realism or abstraction . However , the most abstract images in art , even the initially lifeless geometrical shapes of Mondrian , evoke some sort of reference point in the real world . Music , on the other ...
... exist in different degrees of realism or abstraction . However , the most abstract images in art , even the initially lifeless geometrical shapes of Mondrian , evoke some sort of reference point in the real world . Music , on the other ...
Seite 154
... exist , they must be open and responsive to such changes . In today's society , we should not only have the right to change our minds : we should be positively encouraged to do so . Composers who were once intent on serialisation are ...
... exist , they must be open and responsive to such changes . In today's society , we should not only have the right to change our minds : we should be positively encouraged to do so . Composers who were once intent on serialisation are ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis