Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 35
Seite 52
... folk songs retain something of the accumulative style of the incantation . The folk ballad , on the other hand , developed into a more sophisticated , expressive form . The lone ' specialist ' worker sang songs of labour , of love or of ...
... folk songs retain something of the accumulative style of the incantation . The folk ballad , on the other hand , developed into a more sophisticated , expressive form . The lone ' specialist ' worker sang songs of labour , of love or of ...
Seite 53
... folk ballads and dances of the 15th century reflected at least a nodding acquaintance with the music of more aristocratic circles . The Church had attempted to encourage popular participation in its elaborate ceremonies through the ...
... folk ballads and dances of the 15th century reflected at least a nodding acquaintance with the music of more aristocratic circles . The Church had attempted to encourage popular participation in its elaborate ceremonies through the ...
Seite 74
... folk , exercised the traditional power of folk music to unify - in this case not so much fragmented communities as fragmented status groups . Jazz had all the traditional folk characteristics of portability , improvisation and the ...
... folk , exercised the traditional power of folk music to unify - in this case not so much fragmented communities as fragmented status groups . Jazz had all the traditional folk characteristics of portability , improvisation and the ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century acceptance achieved American appear art music artistic association attempted audience aware basic became become Beethoven began Blues Books Cage called cause century ceremony Church classical collective communal composers concept contemporary continue contrast course created culture dance early effect electronic elements emotional essentially European exist experience expression fact folk function give groups harmony human individual influence integral Italy jazz largely least less listener live London means melody middle musicians nature never notes notion opera orchestra original particular performed pitch play political popular possible present primitive problem produce record remained Renaissance response result rhythm ritual Rock rule seems sense sentiment shows sing social society songs sound space structure style symphonic taste thing timbre tradition tunes universal Wagner Western York