Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 28
Seite 49
... largely illusory , because it merely veils urban class structure . In India , where class structure is prescribed rather than concealed and there are specific ways of folding a turban that relate to caste , music is a unifying religion ...
... largely illusory , because it merely veils urban class structure . In India , where class structure is prescribed rather than concealed and there are specific ways of folding a turban that relate to caste , music is a unifying religion ...
Seite 73
... largely determined by the comparative strength or weakness of the underlying harmonies . The degree of rhythmic complexity is therefore carefully controlled , usually on some sort of symmetrical basis and rhythmic syncopations are used ...
... largely determined by the comparative strength or weakness of the underlying harmonies . The degree of rhythmic complexity is therefore carefully controlled , usually on some sort of symmetrical basis and rhythmic syncopations are used ...
Seite 163
... largely eliminates any genuine entertainment value . Solemn , superior and generally unprovoking , art music remains an appropriate object for token support , for it provides a ceremonial illusion of historical continuity . As long as ...
... largely eliminates any genuine entertainment value . Solemn , superior and generally unprovoking , art music remains an appropriate object for token support , for it provides a ceremonial illusion of historical continuity . As long as ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis