Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 17
Seite 85
... live New Orleans , Ragtime and Big Band styles . In short , Britain , as though aware of the portents of an oncoming social revolution , was floundering in a sea of ' pure ' respectability , adopting American tastes that were anything ...
... live New Orleans , Ragtime and Big Band styles . In short , Britain , as though aware of the portents of an oncoming social revolution , was floundering in a sea of ' pure ' respectability , adopting American tastes that were anything ...
Seite 111
... live in a village . Get it ? 36 On the one hand , his argument goes , our new ability to have visual knowledge of ... lives in two worlds and neither of them inclines him to grow up . Growing up -that is our new work and it is total ...
... live in a village . Get it ? 36 On the one hand , his argument goes , our new ability to have visual knowledge of ... lives in two worlds and neither of them inclines him to grow up . Growing up -that is our new work and it is total ...
Seite 141
... live in a society which seeks to accept such procedures on the same terms as those of the post - Renaissance tradition , and so lives in a state of perpetual bewilderment at the variety of compositional procedures in current use ...
... live in a society which seeks to accept such procedures on the same terms as those of the post - Renaissance tradition , and so lives in a state of perpetual bewilderment at the variety of compositional procedures in current use ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century acceptance achieved American appear art music artistic association attempted audience aware basic became become Beethoven began Blues Books Cage called cause century ceremony Church classical collective communal composers concept contemporary continue contrast course created culture dance early effect electronic elements emotional essentially European exist experience expression fact folk function give groups harmony human individual influence integral Italy jazz largely least less listener live London means melody middle musicians nature never notes notion opera orchestra original particular performed pitch play political popular possible present primitive problem produce record remained Renaissance response result rhythm ritual Rock rule seems sense sentiment shows sing social society songs sound space structure style symphonic taste thing timbre tradition tunes universal Wagner Western York