Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 32
Seite 46
... never thought of going to Munich in search of their formulas ! What were they thinking of ? 14 Despite everything , ' Classical ' music ( or ' old ' music ) is still with us ( or at least some of us ) and is a part , however ...
... never thought of going to Munich in search of their formulas ! What were they thinking of ? 14 Despite everything , ' Classical ' music ( or ' old ' music ) is still with us ( or at least some of us ) and is a part , however ...
Seite 136
... never lost its acuity . Whatever the lasting value of his later works , his long life presented a much - needed continuo under the ever - changing bases of the 20th century . Stravinsky increasingly denounced his Russian fatherland ...
... never lost its acuity . Whatever the lasting value of his later works , his long life presented a much - needed continuo under the ever - changing bases of the 20th century . Stravinsky increasingly denounced his Russian fatherland ...
Seite 137
... never silly . What is the best way for a composer to reap the benefits of this studies in peasant music ? It is to assimilate the idiom of peasant music so completely that he is able to forget all about it , and use it as his musical ...
... never silly . What is the best way for a composer to reap the benefits of this studies in peasant music ? It is to assimilate the idiom of peasant music so completely that he is able to forget all about it , and use it as his musical ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
2 | 32 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis