Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 20
Seite 14
... notion of genius and the notion of a passive audience : the composer reigning supreme and the audience standing outside . This cerebral approach to music is , in fact , only one of a number of contrasting cultural influences that inform ...
... notion of genius and the notion of a passive audience : the composer reigning supreme and the audience standing outside . This cerebral approach to music is , in fact , only one of a number of contrasting cultural influences that inform ...
Seite 41
... notion of common equality . Nevertheless , artists came to exemplify this new concept of freedom and , like the symbols of their art , appeared larger than life . Where 18th - century painters had created orderly and domesticated ...
... notion of common equality . Nevertheless , artists came to exemplify this new concept of freedom and , like the symbols of their art , appeared larger than life . Where 18th - century painters had created orderly and domesticated ...
Seite 109
... notion of the Artist as Hero . When theories are put into practice , they often seem less attractive . Wagner has his detractors who point with relish to the less attractive features of his personality . Yet when these are looked at ...
... notion of the Artist as Hero . When theories are put into practice , they often seem less attractive . Wagner has his detractors who point with relish to the less attractive features of his personality . Yet when these are looked at ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis