Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
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Seite 22
... play . The witch doctor , as the man in communion with the spirits , was the master musician . Speech and song were never far apart . In West African music the basic musical phrases evolved directly from the ' tonal ' languages , in ...
... play . The witch doctor , as the man in communion with the spirits , was the master musician . Speech and song were never far apart . In West African music the basic musical phrases evolved directly from the ' tonal ' languages , in ...
Seite 45
... play the paradox right through . The plot of Berg's Lulu extols human depravity with all the delight that Monteverdi's Orfeo extolled heroism . To many ears the music of Lulu may also sound depraved but , in its formal concepts , it ...
... play the paradox right through . The plot of Berg's Lulu extols human depravity with all the delight that Monteverdi's Orfeo extolled heroism . To many ears the music of Lulu may also sound depraved but , in its formal concepts , it ...
Seite 146
... play collectively all the pitches within a given sound belt . These clusters have varying dynamics , and varying widths , and their relative pitches are changed by controlled glissandi between them , all players moving together . Such ...
... play collectively all the pitches within a given sound belt . These clusters have varying dynamics , and varying widths , and their relative pitches are changed by controlled glissandi between them , all players moving together . Such ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis