Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 39
Seite 12
... popular music as suitable material for scholarly research and the increasing tendency of musicians to be involved , actively or passively , in both types of music . Classical and popular music provoke very different types of response in ...
... popular music as suitable material for scholarly research and the increasing tendency of musicians to be involved , actively or passively , in both types of music . Classical and popular music provoke very different types of response in ...
Seite 57
... popular tune of his day . There was no such thing as plagiarism in the working man's music . While the isolation of art from ritual created the possibility of genius , the polarised class structure of capitalism created the need for ...
... popular tune of his day . There was no such thing as plagiarism in the working man's music . While the isolation of art from ritual created the possibility of genius , the polarised class structure of capitalism created the need for ...
Seite 95
... popular music in a universally significant way have failed . North American attempts to produce a universally significant music from an indigenous popular base have also failed . Copland did indeed integrate jazz and folk idioms into ...
... popular music in a universally significant way have failed . North American attempts to produce a universally significant music from an indigenous popular base have also failed . Copland did indeed integrate jazz and folk idioms into ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis