Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
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Seite 21
... primitive and oriental music is about , this statement is exemplary . As a maxim for the performing arts in our ... primitive responses . Primitive man , whose ear was his radar detector , lived by his senses . In a world which he needed ...
... primitive and oriental music is about , this statement is exemplary . As a maxim for the performing arts in our ... primitive responses . Primitive man , whose ear was his radar detector , lived by his senses . In a world which he needed ...
Seite 22
... Primitive languages reflect this sensory awareness . Words are less differentiated than in western languages and are more dependent on each other : they combine accumulatively towards a rich impression of a state of full , sensory ...
... Primitive languages reflect this sensory awareness . Words are less differentiated than in western languages and are more dependent on each other : they combine accumulatively towards a rich impression of a state of full , sensory ...
Seite 157
... primitive - influenced world , are the mesmeric chants of primitive consciousness or , for that matter , the ' delightful clangour ' of the bells of Cambrai that Philip of Luxembourg noticed in the early 16th century ? They are there to ...
... primitive - influenced world , are the mesmeric chants of primitive consciousness or , for that matter , the ' delightful clangour ' of the bells of Cambrai that Philip of Luxembourg noticed in the early 16th century ? They are there to ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis