Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
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Seite 14
... response to much non - western music is essentially sensory and collective , the response to western music is essentially cerebral and individual . Western society has become inured to the idea , not only that the relationship between ...
... response to much non - western music is essentially sensory and collective , the response to western music is essentially cerebral and individual . Western society has become inured to the idea , not only that the relationship between ...
Seite 38
... response to direct experience and emotional response became sufficiently fashionable for the French to provide it with a name : sensibilité . The underprivileged were obvious candidates for emotional response , but they were extolled ...
... response to direct experience and emotional response became sufficiently fashionable for the French to provide it with a name : sensibilité . The underprivileged were obvious candidates for emotional response , but they were extolled ...
Seite 111
... response . We tend to act first and think afterwards ; and measurements of time and space are as much related to sensory feeling as to mathematical order . We have moved one foot into the world of the collective , sensory tribal response ...
... response . We tend to act first and think afterwards ; and measurements of time and space are as much related to sensory feeling as to mathematical order . We have moved one foot into the world of the collective , sensory tribal response ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis