Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 12
Seite 66
... rules of composition laid down before me ... Words to gladden the heart of any music student but , to be fair , he later admits that rules can exist : Yet I come as near as I possibly can to a set of rules which I have carved out for ...
... rules of composition laid down before me ... Words to gladden the heart of any music student but , to be fair , he later admits that rules can exist : Yet I come as near as I possibly can to a set of rules which I have carved out for ...
Seite 114
... rule rather than by sensation ; yet sometimes sensation overcomes the rule . When the imagination is let loose , things can change size according to the sensory response . Lewis Carroll knew this well in the last century : ' Now I'm ...
... rule rather than by sensation ; yet sometimes sensation overcomes the rule . When the imagination is let loose , things can change size according to the sensory response . Lewis Carroll knew this well in the last century : ' Now I'm ...
Seite 129
... rule of law emerged : until all twelve notes have occurred , none of them may occur again.5 53 It was in fact Webern who created the totally new language , by eliminating conventional rhythmic impulses and pointing individual notes of a ...
... rule of law emerged : until all twelve notes have occurred , none of them may occur again.5 53 It was in fact Webern who created the totally new language , by eliminating conventional rhythmic impulses and pointing individual notes of a ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century acceptance achieved American appear art music artistic association attempted audience aware basic became become Beethoven began Blues Books Cage called cause century ceremony Church classical collective communal composers concept contemporary continue contrast course created culture dance early effect electronic elements emotional essentially European exist experience expression fact folk function give groups harmony human individual influence integral Italy jazz largely least less listener live London means melody middle musicians nature never notes notion opera orchestra original particular performed pitch play political popular possible present primitive problem produce record remained Renaissance response result rhythm ritual Rock rule seems sense sentiment shows sing social society songs sound space structure style symphonic taste thing timbre tradition tunes universal Wagner Western York