Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 20
Seite 54
... shows how susceptible art music has always been to exploitation ; it shows how , in their foundations , the formulae of art music can be reduced to a point that makes instant imitation possible ( thought to be instant erudition when ...
... shows how susceptible art music has always been to exploitation ; it shows how , in their foundations , the formulae of art music can be reduced to a point that makes instant imitation possible ( thought to be instant erudition when ...
Seite 68
... shows had only the ghost of a notion of what the black music of the South was really about ; even Stephen Foster , the man who captured the fragile sentiments and susceptibilities of the North in his immortal song about the ' Swanee ...
... shows had only the ghost of a notion of what the black music of the South was really about ; even Stephen Foster , the man who captured the fragile sentiments and susceptibilities of the North in his immortal song about the ' Swanee ...
Seite 107
... show that discernment is more apparent among the privileged Gods , and less appropriately that only unspeakable evil emerges from the oppressed Niebelungen , but he also shows that both god and dwarf give an eye for an eye and a tooth ...
... show that discernment is more apparent among the privileged Gods , and less appropriately that only unspeakable evil emerges from the oppressed Niebelungen , but he also shows that both god and dwarf give an eye for an eye and a tooth ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis