Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
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Seite 52
... songs began to take on political overtones . The great flowering of English folk song in the 1400s was the result of a political and social restlessness among a majority working class , just as the new crop of ' folk ' in the 1960s was ...
... songs began to take on political overtones . The great flowering of English folk song in the 1400s was the result of a political and social restlessness among a majority working class , just as the new crop of ' folk ' in the 1960s was ...
Seite 68
... songs had as little to do with the incantatory style of the slave work songs and hollers as had the blackened appearance of the singers with the black reality itself . When black minstrel singers later imitated the ' blackface ...
... songs had as little to do with the incantatory style of the slave work songs and hollers as had the blackened appearance of the singers with the black reality itself . When black minstrel singers later imitated the ' blackface ...
Seite 80
... song was the one that sold . Ragtime sold ; so did the blues . A mere fifty dollars secured the rights to the best selling ' Memphis Blues ' . If songs didn't sell naturally , they were ' plugged ' in the stores , the theatres and ( with ...
... song was the one that sold . Ragtime sold ; so did the blues . A mere fifty dollars secured the rights to the best selling ' Memphis Blues ' . If songs didn't sell naturally , they were ' plugged ' in the stores , the theatres and ( with ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
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19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis