Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
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Seite 119
... structure was determined by the throwing of a dice . ) A composer's freedom of choice is very much circumscribed by his cultural traditions . If his work does not in some way spring from known cultural traditions it is unlikely to have ...
... structure was determined by the throwing of a dice . ) A composer's freedom of choice is very much circumscribed by his cultural traditions . If his work does not in some way spring from known cultural traditions it is unlikely to have ...
Seite 137
... structural elements of lyricism and counterpoint . His six string quartets are perhaps his most enduring legacy . The ... structure that derived from linear development , the essential characteristic of the post - Renaissance tradition ...
... structural elements of lyricism and counterpoint . His six string quartets are perhaps his most enduring legacy . The ... structure that derived from linear development , the essential characteristic of the post - Renaissance tradition ...
Seite 148
... structures of Penderecki and some of his followers : witness the extraordinary magnetism of the stereo reduction of ... structure and sense of progression grows as the clusters gradually diverge to extremes of high and low . By ...
... structures of Penderecki and some of his followers : witness the extraordinary magnetism of the stereo reduction of ... structure and sense of progression grows as the clusters gradually diverge to extremes of high and low . By ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century acceptance achieved American appear art music artistic association attempted audience aware basic became become Beethoven began Blues Books Cage called cause century ceremony Church classical collective communal composers concept contemporary continue contrast course created culture dance early effect electronic elements emotional essentially European exist experience expression fact folk function give groups harmony human individual influence integral Italy jazz largely least less listener live London means melody middle musicians nature never notes notion opera orchestra original particular performed pitch play political popular possible present primitive problem produce record remained Renaissance response result rhythm ritual Rock rule seems sense sentiment shows sing social society songs sound space structure style symphonic taste thing timbre tradition tunes universal Wagner Western York