Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
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Seite 62
... style from the derivative style of the broadside ballads . American ' folk ' music retained much of this style right up to the turn of the 20th century . Three factors contributed to this situation . Firstly , the class structure that ...
... style from the derivative style of the broadside ballads . American ' folk ' music retained much of this style right up to the turn of the 20th century . Three factors contributed to this situation . Firstly , the class structure that ...
Seite 83
... style and eliminated the half - spoken introduction and general rhythmic liberties that had characterised the early Blues . As the Blues singers started moving into the cities and making records , their style was further trimmed to the ...
... style and eliminated the half - spoken introduction and general rhythmic liberties that had characterised the early Blues . As the Blues singers started moving into the cities and making records , their style was further trimmed to the ...
Seite 133
... style based on ' the people's music ' . An indigenous style is reflected in personal and national character more than in ideology . Although the main trends in 20th - century music have often grown from a European base , America has ...
... style based on ' the people's music ' . An indigenous style is reflected in personal and national character more than in ideology . Although the main trends in 20th - century music have often grown from a European base , America has ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
2 | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis